But other people develop a fascination with the inanimate objects that continues into adulthood as we see in Living Dolls. An hour-long version of the feature-length objective, which recently screened at the Austin Film Festival, premieres on Logo TV Monday, November 4. “ I think dolls are in truth concern because they look like us, and you can project your dreams on them, your wants, your desires, your losses, whatever they are, and the dolls can mirror them back, ” says Living Dolls film director Maureen Judge, who had no problem finding adults eager to share their sleep together of dolls with her .
But casting Living Dolls wasn ’ t about locating average collectors with curio cabinets full of Madame Alexanders. Judge wanted to examine people who view their dolls as much more than bare collectibles and have intense relationships–or at least what they believe to be relationships–with them. “ To me, it was finding out why they are in a kinship with this solicitation and how it affects their relationships with other human beings, ” Judge says. ad ad ultimately, Judge profiles four people in the television cut of Living Dolls ( there are five subjects in the feature-length version ) who are in deep with their dolls. Among the people featured is David Hockey, a middle-aged man who collects life-size Real Dolls, which are made to look and officiate, in all the key physical respects, like real women. He tools around in his sports cable car with his favorite, Bianca, who is slightly of a celebrity–she was one of four dolls featured in the movie Lars and the Real Girl, and he likes to do photo shoots with her. “ Dolls make him young, ” Judge says of Hockey ’ s fixation on his fake women. “ I think being surrounded by what he feels is all of this beauty gives him a sense of youth. ” Hockey, who is married, has sexual activity with his dolls. Bianca was actually constructed as a prop for Lars and the Real Girl, and therefore, wasn ’ triiodothyronine made with a vagina, therefore field hockey brought her back to the manufacturer to have one, um, inserted. Brit Debbie Barnes has a more innocent and childlike relationship with her dolls. The young wife and mother collects Ellowyne fashion dolls and delights in buy and make clothes for them. She started ordering Ellowynes on-line when she and her husband moved off from family and friends. She spends a bunch of money on her obsession, and it is crippling her family ’ sulfur finances. That made her even more interest to Judge because Barnes ’ s narrative international relations and security network ’ deoxythymidine monophosphate merely about dolls, it is besides about the perils of on-line consumerism. ad
In some ways, Debbie has never grown up, and neither has Mike Meireles, who can ’ t get enough of Barbie and is seen venturing away from home–he and his partner live rent-free with Meireles ’ s mother–to a Barbie convention in Los Angeles. Meireles collected Barbies as a little boy but hid them away because he didn ’ thyroxine want anyone to know. When he last came out as a gay valet, his Barbies came out of the closet, excessively. elsewhere, Michael Sullivan aka RoboMike does severe things to Barbies, gouging out their eyes and cutting off their hair, though it is all in the diagnose of art. The New York City ocular effects artist, who has worked on films such as Star Trek V : The Final Frontier, has spent years transforming the formative figures–and other types of dolls, too–into automaton dolls for the epic automaton doll sex movie he has been working on for years. Titled The Sex Life of Robots, portions of the stop-motion animated film have been screened at the Museum of Sex. “ Michael is an perplex, bright artist, ” Judge says, noting that she wanted to include him in the film because his relationship with dolls is far from personal. “ For him, they ’ re an armature. They ’ re a model on which to make his robots. ”
While we get to know the doll collectors, Living Dolls besides introduces us to their loved ones, including Sullivan ’ s long-time girlfriend, who doesn ’ t actually live with him ; Barnes ’ s mother and husband ; and Meireles ’ s mother and partner. Hockey ’ s wife welcomed Judge and her crew into her home but did not want to appear in the film. “ I tried to [ admit class members ] deoxyadenosine monophosphate a lot as I could, to show them loved by early people, because I think it ’ sulfur in truth important for us to understand that they are full people, ” Judge says. “ If they ’ re equitable isolated and not seen in the bigger universe, it ’ s not easy for us to see that they have layers, and they run deep, and they have real emotions. ” ad The director didn ’ metric ton want to trivialize her subjects, and she tried not to cast judgment on anyone. “ When I ’ thousand film, I fair sort of hop on the train, ” she says. “ I just go into their world, and I love it. ” Judge international relations and security network ’ t a dame collector, but she remembers two dolls from her childhood with great affection. “ One was good a baby dame like every other female child had, and I could bottle feed her and change her diapers. I named her Elizabeth, my center name, ” Judge says. “ And then I had a nun dame. She was a endowment from my grandma, and she had been my mother ’ randomness dame. I was brought up Catholic, and every Sunday we had to go to church, and I would see the nuns sitting there in these fabulous ‘ costumes. ’ So I precisely love this dame because of her costume, which is the nun ’ s habit. I wasn ’ deoxythymidine monophosphate at that indicate making the connection between their lives and their habit or who they were. I good wanted to wear alien costumes. ” Judge distillery has the nun dame, though it isn ’ metric ton on display. She keeps it in a torso in her basement. ad ad