Coin magic is the manipulate of coins to entertain audiences. [ 1 ] Because coins are small, most coin tricks are considered close-up magic or board magic trick, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, mint magic trick is sometimes performed onstage using big coins. In a different type of performance set, a close-up coin magician ( or ‘coin worker ‘ ) will use a big video recording projector so the consultation can see the charming on a boastful screen. Coin magic is generally considered harder to master than other close-up techniques such as batting order magic trick, as it requires great skill and grace to perform convincingly, and this requires much practice to acquire .
Elements [edit ]
Coin effects include productions, vanishes, transformations, transpositions, teleportations, penetrations, restorations, levitations and mental magic—some are combined in a single routine. A dim-witted effect might involve borrowing a mint, making it vanish, concealing the coin, then reproducing it again by chance and returning it to the owner. More building complex effects may involve multiple coins, substituting or switching coins and early objects or props can be employed ( i.e. handkerchiefs, glasses ) adenine well as the coins. however, the power of most coin magic trick lies in its chasteness and the solidity of the object ; the basic skills of dexterity of hand and mismanagement frequently appear most charming without complex equipment. Almost any audience will be amazed by the simplest mystery, such as passing a mint through a table .
Sleights and tricks [edit ]
Some authoritative coin magic effects :
Reading: Coin magic – Wikipedia
- Coin vanish – making a coin seemingly vanish.
- Coin production – making a coin seemingly appear.
- Transposition – making two coins switch places
Some classical mint charming plots :
- Chink-a-chink – A bare-handed Matrix.
- Coins Across – The magical transfer of multiple coins from one hand to another.
- Coin Bite – Taking a bite out of a coin then visually restoring it right in front of the spectator.
- Coins Through Table – Coins penetrate through the surface of the table.
- Coin to Bottle – A coin is slammed into a sealed bottle.
- Coins to Glass – Similar to coins across – coins transfer from one hand to a glass.
- Matrix – A teleportation illusion of four coins moving invisibly under the cover of four playing cards.
- Miser’s Dream – Grabbing multiple coins from thin air. Popularized by Thomas Nelson Downs, who would drop coin after coin into a borrowed top hat.
- Spellbound – Visually changing one coin into another, while only showing one coin at all times.
- Tenkai Pennies – A two coin routine where one coin travels from one hand to the other.
- Three fly – A coins across type effect involving three coins visually transferring from one hand to another.
A sample distribution of coin sleights and moves :
- Palming – A form of concealment.
- Sleeving – A form of concealment.
- Lapping – A form of ditching a coin.
- The French Drop – a retention of vision coin vanish involving the Passing of a coin from one hand to the other than making it disappear.
- The Muscle Pass – Shooting a coin from one hand to the other, this can be done in such a way that can make the coin look as if it is defying gravity
Coin magicians [edit ]
Some magicians widely known for mint magic admit :
performance [edit ]
Although some coin magic trick practice gimmicks ( e.g. modified coins or trick coins ), such gimmicks normally do not wholly create the charming effect. Gimmicked coins are made by several major manufacturers, such as Sterling, Johnson, Sasco or Tango Magic. Producing a memorable mystery requires meaning skill in presenting the effect and utilize mismanagement to distract the consultation from the secret of the device. A performer who relies entirely on particular equipment may not impress an audience. many people are more impress by an effect which depends ( or seems to depend ) entirely on adept handling and mismanagement than by an effect which appears to depend to some extent on specially made props. A performer who has mastered the basic skills can however use gimmicks to brawny consequence without it being obvious to the audience. Some prefer not to use gimmicks at all, though most well-known coin magicians do use simple coin gimmicks .
In literature [edit ]
canadian novelist Robertson Davies devotes a good share of his Deptford Trilogy to the art of coin charming. All three novels follow in separate or wholly the career of a fabricated magician, Magnus Eisengrim, who was abducted as a boy by a traveling circus and learned his craft while concealed in a papier-mâché automaton. The descriptions of coin charming throughout are noteworthy for their clarity. The final examination novel in the series, World of Wonders, details his biography and career.
In the Neil Gaiman novel American Gods, the main character, Shadow, is experienced with coin magic, and many unlike tricks and aspects of coin magic are discussed in the book. In the Dean Koontz novel From the Corner of His Eye, a patrol officeholder uses coin charming to interrogate suspects. In Stephen King ‘s Dark Tower series of novels, the gunman Roland Deschain uses the mint walk, albeit substituting a bullet train, to induce a hypnotic state of matter in those concentrating on the object ‘s movement across his knuckles. Thieves, wizards, and jesters, in historical and illusion literature are often depicted as being skilled in dexterity of pass, and are often depicted doing standard coin charming. Rolling a coin across the knuckles ( coin walking ) is a democratic visualize. Silk in David Eddings ‘s Belgariad, and Mat Cauthon and Thom Merrilin in Robert Jordan ‘s Wheel of Time do this frequently. Johnny Depp ‘s capricious character Jack Sparrow coin walks in the end of Pirates of the Caribbean. besides, Vila Restal in the BBC science fiction television program Blake’s 7 mixed his skills as a thief with such tricks .