An model of dieselpunk art Dieselpunk is a retrofuturistic subgenre of skill fiction like to steampunk or cyberpunk that combines the aesthetics of the diesel -based technology of the interwar period through to the 1950s with retro-futuristic technology [ 1 ] [ 2 ] and postmodernist sensibilities. [ 3 ] Coined in 2001 by game interior designer Lewis Pollak to describe his tabletop role-playing game Children of the Sun, [ 2 ] the term has since been applied to a variety show of ocular art, music, movement pictures, fabrication, and engineering. [ 4 ]
origin [edit ]
The name “ dieselpunk ” is a derivative of the skill fiction subgenre hacker, [ 5 ] and represents the time period from World War I until the 1950s, when diesel -based locomotion was the main technological focus of western acculturation. [ 6 ] The “ -punk ” suffix attached to the identify is representative of the counterculture nature of the genre with esteem to its opposition to contemporary aesthetics. [ 3 ] The term besides refers to the bantering [ 7 ] name given to a exchangeable cyberpunk derived function, “ steampunk “, which focuses on science fiction based on industrial steam might and which is often set within the priggish era. [ 8 ]
Reading: Dieselpunk – Wikipedia
Differences from steampunk [edit ]
Author Scott Westerfeld addresses the wonder of where to draw the production line between steampunk and dieselpunk, arguing that his novel Leviathan ( 2009 ) qualifies as steampunk despite the fact that the engineering it depicts includes diesel engines :
I like the discussion “ dieselpunk ” if you are doing something like ‘Weird World War II ‘. I think that makes perfective feel. But to me, World War I is the separate bespeak where modernity goes from being affirmative to being pessimistic. Because when you put the words “ machine ” and “ artillery ” together, they both change. At that point, war is no longer about a sense of gamble and chivalry and a means of testing your state ‘s level of manhood ; it ‘s become industrial, and atrocious. so playing around with that molding between optimistic steampunk and a much more pessimistic dieselpunk, which is more about Nazis, was kind of interesting to me because early in the war we were decidedly kind of on the steampunk slope of that. [ 9 ]
Jennifer McStotts, another writer, considers the two genres to be airless cousins. She defines steampunk as concerned with the victorian earned run average, and the switch in technology and energy coevals that came with industrialization, and dieselpunk as combining the aesthetic and music genre influences of the time period of both world wars. [ 10 ] Science fabrication editor and critic Gary K. Wolfe defines steampunk as primarily set in the victorian era and dieselpunk as set in the interwar menstruation. [ 11 ] Iolanda Ramos, an adjunct professor of English and Translation studies at NOVA University Lisbon, argues ,
Dieselpunk draws not on the hiss of steam nor on the priggish and edwardian aesthetics and cosplay but on the dirt of fuel-powered machinery and the Art Deco motion, marrying rectilinear lines to aerodynamic shapes and questioning the impingement of engineering on the human psyche .
In addition, Ramos gives “ noir ambiance ” as an element of dieselpunk. [ 12 ]
Dieselpunk inspiration [edit ]
Dieselpunk draws its inhalation from the diesel era and a characteristic referred to by dieselpunks as “ decodence. ” [ 1 ] According to the on-line cartridge holder Never Was, decodence ( a blend of “ [ Art ] Deco “ and “ degeneracy ” ), “ embraces the styles and technologies of the era ; it rejoices in a elongated Jazz Age ambiance characterized by great enthusiasm and hopes about the future. ” [ 13 ] The condition “ diesel era ” is a period of time that begins with the starting signal of the interwar period, which covers the prison term between the end of World War I and the start of World War II. The interwar era is central to one school of dieselpunk much labeled “ Ottensian. ” In addition to the interwar period, World War II besides plays a major role in dieselpunk, specially in the school of the writing style referred to as “ Piecraftian. ” ( See § Common themes below. ) The claim ending of the diesel era is in some dispute in the dieselpunk community. Depending on the generator it ends either at the decision of World War II or continues until the early contribution of the 1950s with the second coming of such cultural icons as the Golden Age of Television and the surrogate of Big Band and Swing music with Rock and Roll in popularity. [ citation needed ]
As an artwork campaign [edit ]
Although the terminus “ dieselpunk ” was not coined until 2001, a large body of art significant to the development of the writing style was produced before that. Artwork ( including ocular arts, music, literature, and architecture ) created in the dieselpunk stylus are heavily influenced by elements of the artwork movements most prevailing in westerly acculturation during the diesel era such as :
According to Tome Wilson, creator of the now-defunct web site Dieselpunks, the term was retroactively applied to an already existing drift in literature. An alternative condition was “ low-brow pop surrealism ”. Writers of this drift blended traditional tropes and genres, such as Pulp Adventure, Film noir, and Weird Horror, with a contemporary aesthetic. [ 14 ] In his words : “ They were creating a future fueled by the spirit of the Jazz Age. ” In their works, the reader could see Sam Spade in the earned run average of smartphones and John Dillinger use a hovercar as his getaway vehicle. They were writing hacker stories about the era of The Great Gatsby ( 1925 ). [ 14 ] In discussing punk genres, Ted Stoltz defines dieselpunk as the quasifuture from the Art Deco era. He argues that hacker, steampunk, clockpunk, atompunk, and biopunk are all defined by their connection to their respective technical component. He found this does not apply to early refer genres such as elfpunk, mythpunk, and splatterpunk where engineering plays a minor character. [ 15 ]
fiction and literature [edit ]
alternative history and World War II sport prominently in dieselpunk literature. Len Deighton ‘s SS-GB, Philip K. Dick ‘s The Man in the High Castle, Alan Glenn ‘s Amerikan Eagle, Robert Harris ‘ Fatherland, Philip Roth ‘s The Plot Against America, Guy Saville ‘s The Afrika Reich, Harry Turtledove ‘s The War That Came Early serial and The Man with the Iron Heart, and Jo Walton ‘s Farthing are considered dieselpunk by some. [ 16 ] early examples of dieselpunk novels are Hugh Ashton ‘s Red Wheels Turning, [ 17 ] David Bishop ‘s Fiends of the Eastern Front, Anders Blixt ‘s The Ice War, [ 18 ] Kevin Cooney ‘s Tales of the First Occult War, Larry Correia ‘s Hard Magic: Book 1 of the Grimnoir Chronicles, Richard Kadrey ‘s The Grand Dark [ 19 ] and J.W. Szczepaniak ‘s Beyond Aukfontein. [ 20 ]
common themes [edit ]
A feature that was beginning identified by the on-line magazine The Flying Fortress is that dieselpunk can be divided into two primary themes or styles : Ottensian and Piecraftian. [ 21 ] The dividing agate line between the two themes is normally acknowledged as the start of World War II. [ 22 ] One theme, named “ Piecraftian ” after its advocate writer “ Piecraft ”, focuses on the aesthetics of the worldly concern wars and speculates on how human polish could theoretically cease to evolve due to constant, far-flung war. [ 2 ] [ 21 ] According to Ottens and Piecraft, this subject continues the aesthetics of the diesel era into later periods of history by describing a earth where survival ( largely based on a reliance on diesel exponent ) is placed above aesthetic evolution ( as seen in such dystopian movies as Mad Max [ 23 ] ). A second subject, named “ Ottensian ” after its advocate author Nick Ottens, [ 13 ] focuses on a fix where the decadent aesthetics and utopian philosophies of the american Roaring Twenties continued to evolve unhampered by war or economic collapse. Ottensian dieselpunk fiction is chiefly concerned with a positive vision of engineering, where the utopian ideals predicted by the World ‘s Fairs of the times came to light. [ 24 ] [ 25 ] As a consequence Ottensian dieselpunk incorporates “ an exuberance for the predictions about the future, ” [ 26 ] and frequently shares elements with retro-futurism. [ 27 ]
Games [edit ]
Dieselpunk features prominently in the gambling diligence, in both tabletop role-playing games and computer and console video games. [ 28 ] World War II is a popular subject in dieselpunk games. One of the more big of these was Activision ‘s Return to Castle Wolfenstein, [ 29 ] a well as the sequel game to the 2009 game Wolfenstein, Wolfenstein: The New Order, which takes place in an alternate 1960s Europe where the Nazis have won World War II. early dieselpunk games include Command & Conquer: Red Alert ( 1996 ), [ 29 ] Crimson Skies ( 1998 board game, 2000 video game ), Iron Storm ( 2002 ), [ 30 ] You Are Empty ( 2006 ), [ 31 ] Scythe ( 2016 ), Turning Point: Fall of Liberty ( 2008 ), [ 16 ] Sine Mora ( 2012 ), [ 32 ] Iron Harvest ( 2020 ). [ 33 ]
Cinema and television [edit ]
With respect to moving pictures, dieselpunk combines the tropes, character archetypes, and settings of diesel-era fiction genres such as serial Adventure, Noir, [ 34 ] Pulp, and War with postmodernist storytelling techniques and filming. Inspirations for dieselpunk cinema include Metropolis ( 1927 ) [ 25 ] and Things To Come ( 1936 ), thanks to their period visions of utopian culture and technology. [ 1 ] even the popular film Star Wars ( 1977 ) has been noted as having potent dieselpunk influences, as it drew heavily on pulp and World War II iconography but mixed them with futuristic settings. [ 35 ] Some even argued that the steampunk area named Steamland, led by an curious industrialist named Alva Gunderson voiced by Richard Ayoade, in the american fantasy animated situation comedy, Disenchantment, created by Matt Groening for Netflix, was “ dieselpunk inspired. ” [ 36 ] Some normally reference examples of dieselpunk cinema and television admit :
ocular art [edit ]
According to an article titled “ Dieselpunk : Love Affair with a machine ”, published in the on-line magazine Dark Roasted Blend, dieselpunk art “ takes an interest in diverse bizarre machines, full of esoteric levers, cracked-glass meters – all visually acute and pretty sinister-looking, when photographed. ” [ 54 ] The article references japanese artist Shunya Yamashita ‘s having created one of the definitive examples of dieselpunk art with his work I Can’t Explain. [ 55 ] The article besides references Kow Yokoyama as a dieselpunk artist with his figurine series titled Maschinen Krieger. [ 56 ] other outstanding artists in the dieselpunk movement include : Alexey Lipatov, [ 57 ] Stefan Prohaczka, [ 58 ] ixlrlxi, [ 59 ] [ 60 ] Keith Thompson, [ 61 ] Rob Schwager, [ 62 ] and Sam Van Olffen. [ 63 ] [ 64 ] [ 65 ]
As a subculture [edit ]
A person defined as a dieselpunk draw divine guidance and entertainment from the aesthetics of the diesel earned run average to achieve independence from contemporary aesthetics by blending the literature, artwork, fashion, grooming styles, modes of personal transportation, music, and technology of the diesel earned run average with contemporary sensibilities. [ 66 ] The “ punk rock ” in “ dieselpunk ” can be interpreted as a rejection of contemporary club [ 67 ] and contemporary styles. [ 28 ] part of dieselpunk ‘s postmodernist nature can be seen in the important function that the internet as a tool of external communication plays in its development. In addition to two big dieselpunk on-line communities, Dieselpunks and Never Was Lounge, there are a number of on-line magazines dedicated to the music genre, including Dieselpunk Encyclopedia, Dizelpanki, The Flying Fortress, Never Was and Vintage Future, and respective blogs which are just titled “ Dieselpunk ”. [ 68 ] [ 69 ] While there are many websites dedicated to the history of the diesel era, a growing number of sites are dedicated to topics that tie directly into dieselpunk. One such web site of note is RetroTimes Production, [ 70 ] which is an autonomous film output party dedicated to creating documentaries about “ retro populate, retro purpose, and ex post facto style. ” A few sites are springing up that have a retro pulp palpate a well, including Captain Spectre and The Lightning Legion, [ 71 ] which is an on-line comedian written and drawn in the classic serial pulp fiction vogue of the diesel era, and Thrilling Tales of the Downright Unusual, [ 72 ] an interactional Choose Your own Adventure -style pulp series. In 2012, World Brews, a craft beer manufacturer in Novato, CA, began producing “ Dieselpunk Brew ”, a beer line ( IPA, Porter and Stout ) inspired and influenced by the subculture of dieselpunk, and displaying artwork deco-inspired dieselpunk designs on the labels. [ 73 ]
fashion [edit ]
Dieselpunk fashion blends the styles normally found during the diesel era with contemporary styles to create a fusion of both. The “ punk “ nature of the subculture comes from expressing a more accomplished presence in public akin to the fashion styles popular during the diesel era such as waistcoats, covered arms, hosiery, styles of shoes, and headwear. Dieselpunk emphasizes the inclusion of such accoutrements to render one ‘s front “ complete, ” in defiance of modern custom-made .
music [edit ]
Dieselpunk music, [ 1 ] which has roots in the neo-swing revival, [ 74 ] combines elements of blues, jazz, ragtime, cabaret, swing, and bluegrass normally found during the diesel earned run average with contemporary instrumentation, production, and writing. [ 75 ] Some normally referenced examples of dieselpunk bands are : big Bad Voodoo Daddy, [ 76 ] Cherry Poppin ‘ Daddies ( who released a song and music video entitled “ Diesel PunX “ in 2019 ), [ 77 ] Royal Crown Revue, [ 78 ] [ 79 ] Squirrel Nut Zippers, [ 80 ] The Brian Setzer Orchestra, Indigo Swing, Wolfgang Parker, [ 74 ] The End Times Spasm Band, RPM Orchestra, Big Rude Jake, and Lee Press-on and the Nails. [ 81 ] There has been growth of a Dieselpunk music referred to as electro swing, which combines the styles of Swing music with Electronica. Prominent bands within the Electro-Swing include Caravan Palace, Good Co, and Tape Five .
Variants [edit ]
Decopunk or coalpunk [edit ]
Decopunk, besides known as coalpunk, is a recent subset of Dieselpunk, inspired by the Art Deco and Streamline Moderne artwork styles of the time period between the 1920s and 1950s. In an interview [ 82 ] at CoyoteCon, steampunk writer Sara M. Harvey made the distinctions “ … shinier than DieselPunk, more like DecoPunk ”, and “ DieselPunk is a farinaceous translation of Steampunk set in the 1920s–1950s. The big war eras, specifically. DecoPunk is the sleek, glazed identical Art Deco adaptation ; like clock time time period, but everything is chrome ! ”
Atompunk [edit ]
A similar, relate pop surrealist art campaign, which overlaps with dieselpunk slightly, is atompunk ( sometimes called atomicpunk ). Atompunk art relates to the pre-digital period of 1945–1965, including mid-century Modernism, the Atomic Age, Jet Age and Space Age, Communism and paranoia in the United States, along with soviet style, underground film, Googie computer architecture, the Sputnik, Mercury and other early space programs, early Cold War espionage, superhero fiction and the surface of the US military/industrial powers. [ 83 ] [ 84 ]
See besides [edit ]
References [edit ]
Sources [edit ]
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